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Star Wars: From A Certain Point Of View

by various, 2017

Review is copyright © 2020 by Wil C. Fry.

Published: 2020.11.21

Home > Book Reviews > Star Wars > Star Wars: From A Certain Point Of View

Photo by Wil C. Fry, 2020

★★★★ (of 5)

(* Not including 18 pages of “about the authors”.)

Summary

An anthology of 40 stories by 43 authors, this book was published on the 40th anniversary of the original theatrical release of Star Wars: A New Hope (Episode IV). It includes sci-fi authors I’ve read before, like Nnedi Okorafor and Alexander Freed, and well-known sci-fi personas like Wil Wheaton. (There is also a story by Jason Fry; to my knowledge there is no relation.) Each story takes a background character from the original film and retells a scene from that character’s point of view. Some of the scenes are familiar from the film; others happen near the movie’s scenes — as if the writer asked herself: “While the film’s story was occurring, what happened down the street or across town?” and wrote that story.

Most entries here are straightforward short stories, but there are departures. For example, one is a single-frame cartoon. Another is an epic poem in 1700s-era English (by Emperor Palpatine). One appears to be a computer readout of a simple droid’s experiences. Another is written as a screenplay.

According to a blurb in the back, none of the authors were paid for their submissions, and all proceeds from sales are being donated to a nonprofit called First Book, which provides books and educational materials to children in low-income areas.

This book is considered Star Wars “canon”, yet it also includes internal and external contradictions. A representative of Lucasfilm explained: “That’s sort of the nature of that project.”

Commentary Per Story

Instead of my usual method of listing every story in an anthology, with mini-reviews of them all, I’ll only list the ones that I enjoyed (four or five stars).

★★★★ Stories In The Sand, by Griffin McElroy, (pg. 35-49)

Told from the perspective of a Jawa named Jot, this covers the Jawas’ finding and collecting the two famous droids, but also gives the previously untold story of how R2-D2’s memory was intact afterward (instead of being wiped like most Jawa-collected droids): Jot did it. It was warm and well told.

★★★★ The Red One, by Rae Carson, (pg. 59-68)

From the perspective of R5-D4, the red droid in the hull of the Jawa’s sandcrawler, we see the story of Luke and his uncle buying the other two droids in a different light, and how the red droid secretly helped save the galaxy.

★★★★ Not For Nothing, by Mur Lafferty, (pg. 101-111)

One of the Bith musicians (from the famous cantina scenes) tells her side of the story, from arriving on Tatooine to playing in Jabba’s grimy palace, from finding a gig in Chalmun’s Cantina to watching those cantina stories play out. It ends at Greedo’s death. (The author, Mur Lafferty, also wrote the novelization of the movie Solo — which I haven’t read yet, but will soon.)

★★★★ We Don’t Serve Their Kind Here, by Chuck Wendig, (pg. 113-122)

From the perspective of Wuher, the bartender in the Mos Eisley cantina, this tale covers the day that made the cantina famous — when Ben Kenobi and Luke arrived and when Han Solo killed Greedo. (The title is from the famous line when Wuher won’t let the droids into the cantina.) It turns out Wuher has a powerful backstory involving droids and Jedi knights on Arkax Station.

★★★★ The Secrets Of Long Snoot, by Delilah S. Dawson, (pg. 169-181)

If you’ve seen the movie, you’ll remember the goggled, long-snooted spy (named Garindan) who snitched on Ben and Luke to the Empire. This is his side of the story, and it’s well-told.

★★★★ Born In The Storm, by Daniel José Older, (pg. 183-196)

Written in the form of an incident report by stormtrooper TD-7556 (name: Sardis Ramsin), this funny and fun story covers the scenes when the stormtroopers repeatedly fail to catch the two droids on Tatooine.

★★★★ Laina, by Wil Wheaton, (pg. 197-203)

At the Rebel base on Yavin IV, most movie-viewers will recall the helmeted man atop a lookout tower, observing as a transport flies away. This is his — Ryland’s — story, in which he records a video message to his daughter Laina, explaining why he’s just sent her away, what happened to her mother, and why he joined the Rebellion. It’s heartfelt and powerful.

★★★★★ An Incident Report, by Daniel M. Lavery, (pg. 213-219)

From the perspective of Admiral Motti (the Imperial officer whom Darth Vader force-choked in the film), this is the incident report of the force-choke. Motti stiffly and haughtily makes it clear that Vader was in the wrong, and seems to honestly believe that this report will somehow clear his name.

“I wish to take this opportunity to point out that I have no objections to the gentleman’s religious beliefs... Moreover, I am not a bigot... I myself am a man of faith, as it happens... I would welcome, under more appropriate circumstances, the opportunity to learn more about Lord Vader’s understanding of the Force, and how it enriches his daily life. I do not welcome Lord Vader quite literally attempting to shove his religious beliefs down my throat... I will not apologize for asking Lord Vader to refrain from commandeering the conversation into a referendum on his religious devotion.”

—pg. 214-5

★★★★★ The Baptist, by Nnedi Okorafor, (pg. 317-331)

Remember that slimy creature in the Death Star’s trash compactor? It turns out her name is Omi, and she’s sentient and Force-sensitive. This story begins with her capture and removal from her homeworld, and tells how she came to be in the compactor in the first place — and what she thought about it. It turns out that dragging Luke underwater was for his own good.

★★★★ Grounded, by Greg Rucka, (pg. 407-421)

As experienced by Nera Kase, who’s in charge of the Rebel ground crew, this story shows the battle of Yavin from the perspective of those who stayed at the base, unable to do anything but watch screens, listen to the radio calls, and wait.

★★★★ Contingency Plan, by Alexander Freed, (pg. 423-432)

By the same author who wrote Rogue One and Alphabet Squadron, this one is about Mon Mothma, as she leaves the base on Yavin IV and considers the various possible futures of the Rebellion, including a speech of surrender to the Empire.

★★★★ The Angle, by Charles Soule, (pg. 433-446)

Just after the battle of Yavin, this story isn’t in the film, nor are its characters: it takes place in a casino on an unnamed planet, as Lando Calrissian plays a game of Klikklak and learns of Han Solo’s involvment in the destruction of the Death Star.

★★★★ Whills, by Tom Angleberger, (pg. 455-459)

An unidentified Whill begins to write The Journal Of The Whills — a plot device that was originally dropped from the original film, but which was included in the Alan Dean Foster novelization of that film, and later in The Force Awakens. Here, as the Whill begins to write, a second Whill criticizes the text (the text of the opening scroll of A New Hope. It’s funny and well done.

Conclusion

Some of the stories here were pretty poor. In one told from Boba Fett’s perspective, nothing happened and he just thought about stuff. In another, the author seemed to confuse her two characters during extended dialog (and the reader isn’t told what happened at the end). Some bring in dozens of unfamiliar characters in a five-page story, while others simply retell exactly what happened onscreen except through the eyes of a different character. At least one was written in the second person (“you” being the main character). Ugh.

But most of the forty stories were interesting, and some of them were incredible. I think if I averaged the ratings I’d give to individual stories, I”d come up with three-stars overall, but this book is greater than the sum of its parts — at least to any fan of Star Wars.

I’m convinced that you wouldn’t enjoy this book much if you’d never seen the original movie (or at least read the original novelization) — it certainly wouldn’t tell the same coherent story that A New Hope does. It was written under the assumption that only Star Wars fans would read it. But still, I think even someone unfamiliar with Star Wars might enjoy several of these stories as standalone works.

Note: I’ve published a much shorter version of this review on Goodreads.







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